Doomsday illuminati 911 Green burning sulphur Code
15
So as was explained 69 is the matching doomsday natural point in the 3D rhombic
dodecahedron which is one of the shadows or projections of the 4 D tessaract
also known as hypercube
Follow the Knights of Malta dotted lines and add 15 = 1111 Binary
0 + 15 = 15
1 +14 = 15
3 + 12 = 15
7 + 8 = 15
On the center add the symmetrical opposites
10 + 5 = 15
6 + 9 = 15
Also below line
8 + 4 + 2 +1 = 15
15 = 1 + 65 = 6
As the tesseract moves within its two dimensions it generates different formations and so
3 D projections.
Youtube animation
Ishtar / Inanna 8 pointed star which has nothing to do with a star but with the dimensional cross
Tesseract 4 D 1111 = 15 = Saturn sigil and magic square, Solomon temple and Knight templar octagon, follow knight of Malta inside and outside and add 15 =1111/ 6-9 doomsday of the rhombic dodecahedron, note 0- 6-9 cancer in zodiac aligned with 15 = 1111 binary.
8 pointed sumerian Inana/ Ishtar luciferian star inside and outside, microcosmos and macrocosmos, as above so below.
Jesuit Athanasius Kircher Lo shun magic square, the eneagram and Satan all seeing eye
All rows and diagonals add 15
Saturn symbol 3 x 3 = 9 ( again 9 ) Lo Shun Magic Square and seal of Saturn
|
Remember we have calculated before last doomsday to be round 4300 before Christ :
Note : Ur is considered to be the first city and were Abraham came from
4000 BC Ur - pottery plates with 6x6 magic square, tetractys, swastika, and divine proportion
using the Chinese model of the Pythagorean theorem.
2000 BC Fu Hsi is presented the Luo Shu from Heaven in the form of turtle.
1700 – 1100 BC The Shang Dynasty utilizes the Luo Shu in city planning, royal tombs.
1100 – 600 BC Zhou pei suan jing – first known math book - discusses the gnomon, right angle.
550 BC Plato’s Republic mentions the 27x27 magic square.
400 BC -18 AD TLV bronze mirror incorporates the cosmology of the Luo Shu and gnomon.
165 BC Tomb of Fuyang Yijing features numerical Luo Shu on a divination board.
100 BC The Da Dai Li Ji is the oldest known text to publish the Lo Shu.
100 AD Plutarch refers to the number of the sun as 729 in his Generation of the Soul in the
Timaeus.
140 AD Reliefs in royal tombs (China) show the carpenter’s square and compass.
200 - 300 AD Runic Magic square of three found in runic script, used by Celtic priests for rituals.
500 – 1300 AD Several quincunx churches built throughout the Byzantine Empire.
550 – 650 AD Luo Shu/quincunx pattern and other Chinese symbols used in early Christian art.
550 AD India, first mention of magic squares used in the making of perfume.
600 – 1100 AD Several illuminated manuscripts with the Luo Shu/quincunx pattern on the cover.
700 – 1200 AD Magic squares gain popularity in the Islamic world and are published for the first
time in 900 AD.
1300 – AD Tibetan Llama mandalas use the Luo Shu pattern as the basis of mandala design.
1300 AD First book on Magic Squares published by a Westerner, Greek byzantine Manual
Le déjeuner sur l'herbe(English, "The Luncheon on the Grass") — originally titled Le Bain(The Bath) — is a large oil on canvas painting by Édouard Manet. Created in 1862 and 1863, its juxtaposition of a female nude with fully dressed men sparked controversy when the work was first exhibited at theSalon des Refusés. The piece is now in the Musée d'Orsay inParis.
The Judgment of Paris, ca. 1510–20
Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
The Judgment of Paris, ca. 1510–20
Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
The Judgment of Paris, ca. 1510–20
Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
The Judgment of Paris, ca. 1510–20Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Marcantonio Raimondi (Italian, ca. 1480–before 1534); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Marchigian, 1483–1520)
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Source:Marcantonio Raimondi, designed by Raphael (Raffaello Sanzio or Santi): The Judgment of Paris (19.74.1) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
The nude woman represents truth as for example Francis Bacon New Atlantis book cover with Lucifer holding a naked woman from the cave :
Tempore patet occulta veritas
"Time will reveal hidden truth"
The Father of Salomon's House reveals that members of that institution decide on their own which of their discoveries to keep secret, even from the State:
"And this we do also: we have consultations, which of the inventions and experiences which we have discovered shall be published, and which not; and take all an oath of secrecy for the concealing of those which we think fit to keep secret; though some of those we do reveal sometime to the State, and some not."
This would seem to imply that the State does not hold the monopoly on authority and that Salomon's House must in some sense be superior to the State.
Clue to understand the hidden technologies , remember the illuminati were the official Nazis and they never lost a war, they create opposition and control both sides through Freemasonry and finance.
Himmler Vril Nazi Mediums
Marcantonio Raimondi was influenced by Albretch Durer
Erwin Panofsky proposed the most authoritative interpretation of Melencolia I as Dürer's "spiritual self portrait". Panofsky also considers many of the objects of the picture to be Saturnian, the planet associated with melancholy; the magic square is a reference to Jupiter and alleviates the melancholic influence of Saturn.
So what can we expect after most of the world is depopulated by the cataclysm ?
Genesis 6.4
4 The Nephilim were on the earth in those days—and also afterward—when the sons of God went to the daughters of humans and had children by them. They were the heroes of old, men of renown.
2 tons mummified giant found in Ireland ( Disappeared )
Note: Freemasons making the Jahbulon reverence
Jah = Jahve
Bul = Baal
On = Osiris
Gog and Magog - London Guardians
Gog and Magog in Melbourne Royal arcade surrounding the clock symbol of Chronos / Saturn
Satan with his sickle in Melbourne Royal arcade
A building of Historical interest ?
So lets find the lost Dan Brown symbol
SIGIL = SIGEL
RUNECRAFT: Six Runes
The Rune Stave: Sigel
Number: Phonetic Value: Word: Planetary: Element/s: Deity/ies: Modern Translation: Memory Keys: Word/Concept: | This rune means success, achievment and victory. It also indicates health, physical strength, clear thinking and self confidence. It indicates the over coming of any problems. It has its roots as a symbol from the Swastika; the ancient symbol of the sun found in most Indo-European cultures. Because of its Sun associations it is the most positive of all the Runes. |
Right Side
A rune of health, wealth and happiness and contact with one's higher self. Now is the time to use the sun's energy for regeneration and reveal secrets that are hidden. Other meanings include: creativity, guidance particularly of sailors, spiritual power to "resist disintegration", the light of the world and positive beneficial magic.
Reversed
This rune reversed warns of the possibility of carelessness or recklessness leading to ill health or danger.
Sigelor Sowilo is the Power of the Sun, both the outer Sun and the Black (iridescent or
ultraviolet, "black light") Sun after which an SS formation was named, the spiritual Sun
pictured also in Sumerian panels. It is an ideogram for the posture of reclining, resting
the feet on a rail and taking the power of the sun in through the soles, a preventative practice for
ensuring good health. To the ancients who followed the esoteric practices of Klíma, it was
known that, even in relatively cold seasons where the Sun shown for only a few hours a day, this
practice would prevent what is today called SAD, seasonal affective disorder, by only 10-15
minutes in position. If it were an ideogram of the Sun, per se, it would be in a burst pattern, like
light radiating out. It is the seventh rune of meditative practice and reveals a method for using
the Sun's Power. In the larger sense it is the rune of Success, the Power of Balder's Light as it is
prophesied that He will return from thes a e t he r (outguard) of the Snotrir Vikingar, the warriors
taken alive from Middle Earth to work in other dimension fighting the forces of darkness, to join
the triumvirate at Gimlé, the New Order which arises after Ragnarók.
the feet on a rail and taking the power of the sun in through the soles, a preventative practice for
ensuring good health. To the ancients who followed the esoteric practices of Klíma, it was
known that, even in relatively cold seasons where the Sun shown for only a few hours a day, this
practice would prevent what is today called SAD, seasonal affective disorder, by only 10-15
minutes in position. If it were an ideogram of the Sun, per se, it would be in a burst pattern, like
light radiating out. It is the seventh rune of meditative practice and reveals a method for using
the Sun's Power. In the larger sense it is the rune of Success, the Power of Balder's Light as it is
prophesied that He will return from thes a e t he r (outguard) of the Snotrir Vikingar, the warriors
taken alive from Middle Earth to work in other dimension fighting the forces of darkness, to join
the triumvirate at Gimlé, the New Order which arises after Ragnarók.
No comments:
Post a Comment